I had the best summer solstice ever. The opening of SAFARI AMERICANA: SCENES OF DELIGHT packed the gallery at its peak last Saturday (here is a photo by TastyPiePhotography.com before the crowds gathered):
I was so happy to see my friends, some who I haven't seen for a while, come out and support me, willing to spend some time in a crowded white room with me on a hot summer LA night. What a great feeling! And it was fun to talk to people I just met. I loved everyone's interpretations and observations about my work, and I must have had the same empty water bottle in my hand for hours because I was on a roll fielding questions non-stop. And I absolutely loved it when people went over to the audio installation and got the courage to push the button that was there to tempt them (the name of that piece is Satisfaction, and it's okay to push the button, and I'm not telling what happens if you do). I was quite excited that METROMIX had written an awesome article about my show, and I was thrilled to find out that ARTSCENE is running a preview article by Suvan Geer! It was also a blast to get to meet Peggy Fogelman, so brilliant, so sophisticated, and an absolute curatorial rockstar (you can thank Peggy for putting contemporary artists' work into The Getty Center...yeah, she's that great) only to find out that she helped select my show for the gallery! I am over the moon.
My show is up through July 18th if you haven't already checked it out. And please, if you can, do check it out. I am so happy to have this opportunity to share my work with you.
:: bogna ::
June 25, 2008
Safari in the Summer? Oh yes.
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Labels: americana, arlene, arlene bogna, arlene bogna fine art, art, artscene, barbara blatt, fogelman, gallery 825, geer, metromix, peggy, safari, scenes of delight, suvan, the getty center
May 9, 2008
Oh, it is definitely ON! Ready for SAFARI AMERICANA: SCENES OF DELIGHT
Life is sweet. Lately my days are filled with the images from my upcoming solo show. They are always with me. I get through each day just fine, but I am living with an extra quality to my life as I prepare. I love it.
Somebody recently asked me what inspired me for SAFARI AMERICANA: SCENES OF DELIGHT. Well, let's see if I can answer that.You could say that someone's impulse to fabricate a gigantic plastic cow to house a roadside business triggered an impulse within me to stop the car immediately and photograph it. Think about it, imagine you are driving down a remote rural highway when you see a gigantic fabricated plastic cow on the side of the road, and you think to yourself, 'Wait, is that a Jeff Koons installation? Oh, it's not - well, what's that about?' And my point is: exactly. After that experience, I started to see more and appreciate just how pervasive animal symbols are in modern life. I started to chuckle at the thought that a plastic bovine could give street cred to almost any business: barbecue restaurant, rv dealership, honey stand, you name it. And it's like we exist in such a world without noticing how wonderfully strange that is. Well, I noticed, and I started to explore that.
And since I know that absolutely anything could be done in terms of digital art and photo-realistic special effects, I decided that my personal art was to be raw and analog in order for it to have the most meaning for me. Perhaps because of my background, that is the line in the sand between 'work' and 'art'. I have to find ways to experience my freedom, i.e. did the expired film in my overheated holga make the Mississippi River look like a red nuclear pond? Fine. Good. Print it. Yes.
I've been reflecting about my Artist Influences for my show, and here they are:
Gerhard Richter
I am simply awestruck by his work, especially by his photo-based paintings and his abstract paintings. I love that he is such a master of visual representation yet he can also go totally abstract. He is vital to me.
Mona Kuhn
The softness and dreamy intimacy of her work gives me a sense of connection. Her photographs exist in a world all their own.
Jeff Koons
Provocative, bold and playful. I enjoy how the scale of his work instantly forces a confrontation. And I think the world is a definitely a better place because of his balloon dogs.
So, if you find yourself in Los Angeles on June 21st, please come on by to the SAFARI AMERICANA: SCENES OF DELIGHT Artist Reception @ Gallery 825. It is my delight to be able to share my work with you.
:: bogna ::
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Labels: 825, americana, analog, arlene, arlene-bogna, art, bogna, formalism, gallery, gerhard richter, jeff koons, laaa, los angeles, mona kuhn, photography, safari, safari americana, solo, toy camera