"If female viewers decided the fate of movies, who better to make movies than females? "

Believe it or not, that is a quote from the recent article "Alice's Wonderlands" in The Nation about the women in the early years of filmmaking. Apparently, women had a prominent role in the early 1900's in the nascent film industry.

Today, organizations like the Alliance of Women Directors and Women In Film compile statistics to see how many women filmmakers are actively working in the film industry each year.

This is always an interesting discussion with tons and tons of viewpoints. But the reason I'm posting it is to remind us how many lady filmmakers rock! Right now Kathryn Bigelow's 'Hurt Locker' is taking the critical world by storm, while female audiences for the 'Twilight' franchise and "The Blind Side" are making a permanent place in Box Office history.

All I'm saying is that 2010 seems like it will be a very good year.

:: bogna ::

Is something hitting the fan?

An article just came out called "Cracking Hollywood's celluloid ceiling" in which Charlize Theron is interviewed as a female filmmaker. I found out about it on a message board from the Alliance of Women Directors, and the timing is perfect, because the industry stats for 2008 are coming out. It seems like no one really wants to address this issue or even knows how to talk about it yet without yelling or whispering. Everything is still so reactionary. You're either a hardcore scary feminist if you find those statistics even a little disappointing, or you are automatically an Uncle Tom if you don't want to rock the boat, bite the hand that feeds you, or if you just choose not to focus on stats. In other words, you can't win, can you?
But I do think it's actually a fascinating aspect of our modern culture. Storytelling itself is a universal impulse, free of gender or race considerations. In other words, it is a totally human impulse. Translating that into a profession is another thing entirely of course, but the impulse itself is pure and available to everybody. Staying connected to that I think is the most important thing in modern times, especially as the coming tech boom engulfs us. And the more screens we have, the more good stories we are going to need in order to feel human.


:: bogna ::

A Celebration of Directors Who Happen To Be Women

"A celebration of directors who happen to be women" happened at the DGA last night. That quote came from Penelope Spheeris, who moderated this event, still cool from the Dylan screening.

Except for some funny anecdotes about how some people saw a woman on set and asked her to get some coffee (even if she was the director), there really wasn't any whining. It was a celebration of storytellers who happen to be women, something every society needs.

And not just storytellers, but vital storytellers who have entertained us with high-concept mainstream action sequences populated with A-list talent and oodles of special effects, tv storytellers who have intrigued us, and indie storytellers who have changed lives. The panel included Catherine Hardwicke, Amy Heckerling, Lesli Linka Glatter, Mimi Leder, Kasi Lemmons, Angela Robinson, Arlene Sanford, Betty Thomas, with Penelope moderating. Quite frankly, the ladies rocked the house. And it was great to see the clips and realize how much great work there is out there already by so many women directors.

The message of the evening was, "we [women directors] have the stuff that you want, and you gotta come get it." And the second message of the evening was "when you do what you wanna do then good stuff happens."

Kudos to the DGA for doing this, and thanks to the Alliance of Women Directors who made it possible for members to attend.

:: bogna ::